Why a Good Book is Like a Mango (A.K.A. My Recent Book Reviews)

(Let me just say, the next line you’re about to read isn’t describing my book.)

“Mangled and defaced, full of Inconsistencies, Contradictions, and Blunders.”

How’s that for a review (and for crazy capitalisation)?

What’s it for? And when was it written?

The reviewer was author and literary critic Charlotte Lenox, writing in the eighteenth century about Shakespeare’s Much Ado About Nothing—which happens to be my favourite Shakespearian play (though I haven’t yet seen Love’s Labour’s Lost so I could be speaking too soon).

Want to hear another random classic review? See if you can pick the reviewer and book being reviewed.

“What do I find? An accurate daguerreotyped portrait of a common-place face; a carefully-fenced, highly cultivated garden with neat borders and delicate flowers – but no glance of a bright vivid physiognomy – no open country – no fresh air – no blue hill – no bonny beck. I should hardly like to live with her ladies and gentlemen in their elegant but confined houses.”

The reviewer was Charlotte Brontë and she was reviewing Pride and Prejudice.

What’s the point of all this?

I’m currently in the process of approaching reviewers to rate and review Be All My Futures Remembered. And I am incredibly grateful for every honest review I receive. (If you’d like to provide a review, then contact me for a copy of the book.) I really appreciate the generosity of people who take the time to put into words their thoughts on the books they read and share those thoughts with other potential readers (such as this lovely review that came in this week).

Reviews for Be All My Futures Remembered by Jessica Baverstock on Goodreads.com. The review average is 4.5.

Screen capture from Goodreads.com

Having said that, just asking people to review my books plays with my head, but nothing plays with my head more than reading a review, whether it’s glowing or scathing or anywhere in between.

The reason? I should really let Creativity answer that, though I’m nervous to hand over to her as she’s not the most tactful of voices.

Circling back to the subject of Pride and Prejudice again, contrast Charlotte Brontë’s feelings on the book with Jane Austen’s thoughts on her character Elizabeth Bennet which she shared in a letter:

“I must confess that I think her as delightful a creature as ever appeared in print, and how I shall be able to tolerate those who do not like her I do not know…”

Austen’s joy in her creation is a beautiful thing to see and it gave me such a thrill when I came across it. She loved what she was doing and she loved her characters—a love that has continued in her readers down through the centuries. Thankfully she never came across Brontë’s feelings mentioned above, their lives only overlapping by a year. But Brontë’s opinion has done nothing to dampen the admiration and adoration of many, many readers since. Brontë’s opinion was her expressing her taste, which she had every right to.

Tastes vary, and that’s okay. That’s exactly how tastes work. What matters is finding the inner strength to continue creating from your own taste even when you know it won’t appeal to everyone who picks up your book.

And ultimately, reviews aren’t for the writer. They’re for readers. In fact, a good review can play with a writer’s head as much as a bad review.

But what do you do if you have seen the review and now you’ve got negative words floating around in your head? That sounds like a good topic for another post.

In the meantime, what’s something you love that you know other people don’t agree with?

How Creative Flexibility Saved My Sci-Fi Romance Novel

Image of ballet dancer and a flock of butterflies in the shape of a heart and text that says "Creative flexibility."

If this is your first time reading my blog, then let me explain. The plain text is my writing and the pink italicised text is from my Creativity—the little but very loud voice who represents my creative side. She’s fun, so I let her out sometimes for your amusement. And my amusement, truth be told.

A few weeks ago, when talking about making creative projects larger than life, I said:

I’ve often been writing when Creativity comes up with some crazy idea to throw into the mix. So often I’ve let her go and then later on it’s paid off in style. My favourite example of this is in my newly released sci-fi romance Be All My Futures Remembered, but that’s a story I’ll tell another time.

Well, now’s the time to tell that story.

But first, when it comes to writing (or perhaps the same can be said of painting or composing or, as I hear Creativity yelling, rearranging your kitchen cupboards) you have the choice to either plan what you’re doing (in writing, known as plotting) or going with the flow (known as pantsing).

Does it matter which you choose?

I’m not going to say one is better than the other because I’m diplomatic and respect that other people make successes of things I struggle with (watch Creativity walk back everything I’m saying…). But I will say that once you get into the creative process, all bets are off. It’s important not to get locked into what you think it going to happen. You need to do what your Creativity requires, as I found out with Be All My Futures Remembered. I’ll tell you more in a minute, once Creativity stops jumping up and down and has her say.

So, back to my example of listening to my Creativity.

Cover for sci-fi romance novel Be All My Futures Remembered which shows a redheaded woman looking at a computer chip that she is holding in her hand.

When I was writing my latest novel, Be All My Futures Remembered, I had the ending very clearly in mind. I knew my plot twist and I knew when I expected it to come—right before the third act.

The only thing was, when I reached the midpoint of my novel, my main character started to cotton on to the twist!

If you’ve read any of the book, you’ll know Vi is clever and intense. She saw it and once she did, well there really wasn’t anything I could do about it. I sat there, trying to figure out how to keep her nose out of the situation.

But in the end, I trusted my Creativity, and went with it. I let Vi figure it out when she naturally would.

And boy am I glad I did. The story is so much stronger for it. It flows, it’s natural, it’s believable (as far as sci-fi can be, I guess). I still got my extra kick just before the third act to kick everything into my finale, so I didn’t need to panic.

And I guess that’s the point I’m trying to make: the more you can trust and work along with your Creativity, the less you need to panic when things don’t seem to go as planned.

There’s no need for ‘get-down-itis.’ It’s all about the journey. It’s all about being authentic to the characters or the idea or the culture or whatever you feel needs to feed into your creation.

So give it a go. Look at what you’re in the middle of and then listen to your Creativity. Try something different. Let the surprises come. Be authentic to what you and your Creativity can create.

And ask yourself, am I resisting my Creativity’s idea/preference/suggestion because I think I know better? What could I do to let my Creativity’s vision flow more freely?

Have you experienced flexibility with your Creativity? Tell us about it.

“How Creative Flexibility Saved My Sci-Fi Romance Novel,” copyright © 2024 by Jessica Baverstock. Image at the top of the blog from Pixabay/ady34.